Look through the key statistics analysis before diving in deeper into our report:
Parameter | Current result | Assessment |
---|---|---|
Meta title | Ridinghouse | As meta title is a ranking factor, it's quite important to stick to search engine recommended length of aroun 50-60 characters. This website's meta title is 11 characters long. |
Description | Ridinghouse is dedicated to publishing the best of art writing and criticism, revisiting art history and exploring individual artists and specific projects. | This meta description is 156 characters in length. Google suggests up to 320 characters at the very most to make sure the whole meta description is visible in search results page. |
<meta> keywords | ridinghouse, art, art history, history of art, publishing, monographs, catalogue, critical writing, artist, artist word, project, artist project, London, Lexington Street, Cornerhouse, soho, RAM, Tess Jaray, Djanogly Art Gallery, Kazimir Malevich, Lucio Fontana, John Stezaker, Deutsche Börse, Alison Wilding, Turner prize, Paul Winstanley, Jon Thompson, Goldsmiths, art school, Nicholas Pope, Penelope Curtis, Venice, Venice Biennale, Dave Hickey, Pirates and Farmers, Doro Globus, Karsten Schubert, Air Guitar, The Invisible Dragon, Jo Spence, Terry Dennett, Final Project, Talking Art, Art Monthly, Patricia Bickers, Iwona Blazwick, Naum Gabo, Douglas Gordon, Pedro Reyes, Sanatorium, Lisson Gallery, Bridget Riley, op-art, stripe, colour, John Elderfield, Paul Moorhouse, Robert Kudielka, Galerie Max Hetzler, Max Hetzler, William Scott, Thames & Hudson, Whitechapel Gallery, Richard Patterson, Timothy Taylor, Timothy Taylor Gallery, YBA, Young British Artist, Damien Hirst, Sensation, Freeze, Young British Artists, Artforum, Frieze, Nasher Sculpture Center, Art Review, Ann-Marie James, Proserpina, Michael Bracewell, Rubens, Black Sun, OK-RM, Tom Trevor, Arnolfini, Devi, Devi Art Foundation, Shezad Dawood, Ayisha Abraham, Tino Sehgal, Wolfgang Tillmans, Hyde Part Art Center, Tate, Tate Britain, Tate Modern, Duveen Galleries, Anna Moszynska, Sotheby’s Institute of Art, Art14, Art 14, Richard Deacon, Dawn Ades, Drawing Room, David Batchelor, Eva Hesse, Anish Kapoor, Bob Law, Sol LeWitt, Jackson Pollock, Richard Serra, Zoe Leonard, Dancing Foxes Press, Whitney, Whitney Biennal, Dada, Surrealism, Salvador Dali, Joseph Cornell, Francis Bacon, Salvador Dalí, László Moholy-Nagy, Michael Newman, School of Institute of Chicago, Tacita Dean, Steve McQueen, Jeff Wall, José Damasceno, 52nd Venice Biennale, Ann Gallagher, Rose English, Conceptual, Conceptualism, Minimal, minimal art, minimalism, performance, performance art, feminist, feminist art, Royal Court Theatre, The Approach, approach, 3rd Person Archive, Third Person Archive, collage, Crossing Over, Available Light, op art, art forum, black sun, Tel Aviv Museum of Art, Daniel F. Hermann, Rose Finn-Kelcey, Glory, Falklands, Falklands War, Anya Gallacio, Thomas Dane, Thomas Dane Gallery, Jan van Adrichem, Norman Bryson, Briony Fer, blessed, Nude and Landscape, nude, landscape, william horner, Rosenwald-Wolf Gallery, Ernst Wilhelm Nay, John-Paul Stonard, Norman Rosenthal, Weimar Republic, German art, Germany, Germanic, Germanic art, Weimar art, Third Reich, Third Reich art, Nazi art, Mel Bochner, If the colour changes, thesaurus painting, thesaurus art, Haus der Kunst, Munich, Achim Borchardt-Hume, photography, installation, installation art, painting, paint, canvas, Evan Holloway, LA, Los Angeles, LA art, Los Angeles art, LA art scene, LA artist, West coast, West coast artist, West coast art, Ralph Rugoff, Bruce Hainley, Gagosian, David Zwirner, Pace, Pace Gallery, PEER, Keith Coventry, Deontological, Deontological Pictures, series, Robert Heinecken, Kevin Moore, Cherry and Martin, Cherry & Martin, Friedrich Petzel Gallery, Petzel, Marc Selwyn, Marc Selwyn Fine Art, Simon Linke, Adrian Searle, Guardian art critic, Marina Abramovic, Alberto Giacometti, Claude Monet, 1960s art, British art, UK, UK art, female art, female artist, woman art, woman artist, The Space Between, Gilbert & George, Richard Hamilton, Bridget Riley, Glenn Brown, Gilbert, George, Gilbert and George, Riley catalogue raisonne, Riley print, Riley prints, catalogue raisonné, Dusseldorf, bully, Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say, Zarina Bhimji, Bhimji, TJ Demos, T J Demos, Kunstmuseum Bern, Bern, New Art Gallery, Walsall, Yellow Patch, Cinema of Affect, Rezi van Lankveld, Jan van Eyck Akademie, Maastricht, Peripatetic School, Brigida Baltar, Jose Tony Cruz, Andre Komatsu, Mateo Lopez, Jorge Macchi, Gilda Mantilla, Raimond Chaves, Nicolas Paris, Ishmael Randall Weeks, drawing, Kettle’s Yard, Kettle’s Yard Cambridge, Michael Harrison, Cezanne, Seurat, film still, David Campany, Campany, Hitchcock, Mark Wallinger, Tim Davies, Wales, Welsh art, Welsh artist, 54th Venice Biennale, Wales at the 54th Venice Biennale, Fred Wilson, Fred Wilson reader, Fred Wilson writing, Mining the Museum, Urbanomic, Medium of Contingency, Robin Mackay, contingency, Charles Harrison, Art & Language, When Attitudes Became Form, Robert Holyhead, Found Monochromes, Yves Klein, Ad Reinhardt, Galerie Gisela Capitain, Gisela Capitain, Georg Baselitz, expressionism, expressionist, neoexpressionism, neoexpressionist, Abstract Expressionism, action painting, tabula rasa, mass media art, John Latham, canvas events, Hans Ulrich Obrist, Hans Ulrich Obrist art, Hans Ulrich Obrist interview, Dan Perfect, Bob Law, St Ives, St Ives art, St Ives artist, Arshile Gorky, Goats on the Roof, Phaidon, Rizzoli, art publishing, art publisher, London publishing, London publisher, London art, London art publisher, London art publishing, Matthew Spender, Gorky, Robert Ryman, Ryman, Ch-ch-ch-changes, artist as teacher, teacher artist, art teacher, artist-teacher, teacher-artist, Phyllida Barlow, Slade, Slade school, Central Saint Martins, The Eye’s Mind, eye’s mind, riley writing, riley art, riley print, riley words, riley interview, interview with briget riley, Piet Mondrian, Paul Cezanne, Konrad Fischer, Wide White Space, Marcel Broodthaers, Richard Long and Lawrence Weiner, art dealer, art dealing, art dealing history, art dealer history, Unconcealed, art network, Urs Graf, Rembrandt, Lucien Freud, curator’s egg, The Curator’s Egg, French revolution, 9/11 art, Tate Modern museum, Michael Landy, Landy destroy, closing down sale, scrap head services, h2ny, semi-detaches, wilding tracking, stezaker mask, stezaker portrait, stezaker masks, fiona rae, david ireland, kenneth baker, Arc/Musée d’Art moderne de la Ville de Paris, Musée d’Art moderne de la Ville de Paris, riley paris, riley french, riley france, riley exhibition, riley catalogue, riley exhibition catalogue, carl andre, paula feldman, robert morris, donald judd, Clement Greenberg, Donald Kuspit, Lucy R. Lippard, Robert C. Morgan, Barbara Rose, Roberta Smith, art critic, art historian, trials of art, art law, art copyright, art trial, art trials, daniel mclean, lord hoffmann, J. Paul Getty Museum, getty museum, getty book, Mies van der Rohe, sculpture, sculpture architecture, fault lines, matt mulligan, riley australia, riley Australian, riley sydney, riley australia catalogue, riley australian catalogue, riley sydney catalogue, Elizabeth Ann Macgregor, It is what it is, Tom Rowland, Stuart Lockyear, Karen Sanig, Donn Zaretsky, Ruth Redmond-Cooper, Brett Rowlands, Simon Stokes, Ruth Hoy, Suzanne Garben, Carla Shapreau, Nadia Walravens, Johnson Okpaluba, Naomi Korn, Peter Weinand, Gregor Claude, Kathy Bowery, Anne Barron, Celia Lury, Lionel Bently, Richard Shone, Karsten Schubert, Andrew Wilson, Michael Spence, Brad Sherman, Paul Edward Geller, Robert Burrell, LA art book fair, La art book fair publishing, la art book fair publisher, la art book fair exhibitors, NY art book fair, NY art book fair publishing, NY art book fair publisher, NY art book fair exhibitors, los angeles art book fair, new york art book fair, printed patter, geffen contemporary, geffen, MOCA, PS1, MOMA, art los angeles contemporary, frieze masters, frieze london, frieze fair, frieze art fair, Rose English frieze, david pagel, royal academy of arts, keeper’s house, new art centre, roche court, salisbury, PA/PER VIEW, PA/PER VIEW art book fair, PA/PER VIEW wiels, PA/PER VIEW brussels, PA/PER VIEW publisher, PA/PER VIEW book, PA/PER VIEW publishing, PA/PER VIEW art, PA/PER VIEW art publishing, PA/PER VIEW art publisher, koenig books, walther konig, walther koenig, konig books, young kim, dexter dalwood, London art book fair, London art book fair 2011, London art book fair 2012, London art book fair 2013, London art book fair 2014, London art book fair publishing, London art book fair publisher, London art book fair exhibitor, London art book fair art publisher, London art book fair art publisher, London art book fair event, London art book fair display, AAH, AAH bookfair, AAH book fair, Association of Art Historians, Association of Art Historians Conference and Book Fair, Zabludowicz, Zabludowicz Collection, soho art, soho publisher, soho publishing, art intern, art internship, london intern, london internship, publishing intern, publishing internship, eva rothschild, galerie max hetzler, dubin city gallery, hugh lane, stuart shave, barbican, roman signer, rose english, abstract vaudeville, camden arts centre, guy brett, crossing over, gisela capitain, helen chadwick, marina warner, henry moore foundation, henry moore institute, glenn ligon, come out, megan ratner, steve reich, loose monk, fabian peake, phyllida barlow, eddie peake, sleepwalkers, stuart critchley, gavin murphy, october, lothar goetz, lothar gotz, lothar götz, domo baal, domobaal, petra rinke, st barnabas, charles darwent, surrealism, modernism, photography, people on the cover, roman signer, hauser & wirth, hauser, wirth, curve gallery, the curve, barbican, kayak, lawrence gowing, Gallais, Julie Sylvester, Thomas Struth, Glenn Brown, Rineke Dijkstra, Jeff Koons, Albert Oehlen, david ryan, hugh lane, dublin city gallery, michael Dempsey, Brian Dillon, ok-rm, ok rm, joseph logan, aica, aica international, aica uk, aica paraguay, fausto ediciones, marek bartelik, ticio escobar, Adriana Almada, john hilliard, duncan wooldridge, monochrome art, photo-conceptual, photo conceptual, jose damasceno, ann gallagher, brazilian art, Aurora García, José Thomaz Brum, editora cobogo, christopher le brun, david anfam, edmund de waal, friedman benda, glenn ligon, camden arts centre, megan ratner, come out, steve reich, labf14, david zwirner, david zwirner books, m dash, m dash art book fair, artists bookmarket, david pagel, art los angeles contemporary, LVMH Lecture Theatre, Central Saint Martins, William Cobbing, mark dunhill, Fedja Klikovac, frances morris, joyce sleeman, joseph logan, zak group, mark thomson, fraser muggeridge, Linder, linder sterling, george loudon, blashcka, lothar gotz, roman signer, barbican, curve gallery, the curve, barbican art centre, rachel withers, labf15, nyabf15, anwar jalal shemza, david waterworth, sam cornish, stockwell depot, university of greenwich, stephen lawrence gallery, peter hide, katherine gili, david evison, roland brener, john mclean, roelof louw, joy sleeman, jennifer durrant | Strangely enough, meta keywords still seem to be used. We would not go down that road unless very carefully - meta keywords have not been known as a positive ranking factor for a while now. |
Site speed | Around 0.2108 seconds | The website load speed is rather good. |
Quantcast | Current rank, according to our database, is at 433695 | Quantcast does not rank this website very high, which should in theory mean it's not that popular. Having said that, popularity is context-dependant, so take this with a grain of salt. |
Links on homepage | Around 27 links | This is a well-judged amount of links for a homepage. |
HTML size | 24.9KB | A very good result, this. Remember, search engines such as Google place a lot of their website ratings on its speed. |
Website host server overview | Server status: online. Server IP address for this website is 5.153.225.196. | We apologize, but for some reason we were unable to gather enough data to provide a detailed insight at this time. |
If the basic information we presented you with above is not enough, get ready to dive in much deeper!
QUANTCAST is a data processing company that mostly gathers information for advertising companies. It specializes in real-time audience analysis and, as you may have gathered, is really quite similar to Alexa, if perhaps not as infamous. To our knowledge, the company has rated and ranked approximately 269136189 websites so far. There is always a caveat with these sort of ranking systems - they don't really take any context into account. As such, their usefulness is debatable at best. Don't overthink this rank - it's just a number, really.
Servers are physical storage devices that contain all the files and databases associated with a specific website, sometimes more than one. At times, a server makes up several virtual devices - separate servers used for shared hosting (tends to be cheaper). Entering website address into the address bar of your browser starts the request process during which your browser contacts the server and asks for specific files and database entries in order to display the requested website.
What follows is certainly very geeky, but informative for the knowing. Dig in:
Header detail |
---|
HTTP/1.1 200 OK Date: Mon, 01 May 2017 00:01:36 GMT Server: PasteWSGIServer/0.5 Python/2.7.3 content-type: text/html; charset=utf-8 pragma: no-cache cache-control: no-cache Vary: Accept-Encoding Transfer-Encoding: chunked |
Now that you are hopefully done with ridinghouse.co.uk, we invite you to read more of our in-depth reports. Try entering a new domain address in the search form at the top of this page, or on the homepage. Alternatively, refer to this list for more website overviews:
We have found so many alternative TLD extensions for ridinghouse.co.uk. Here is the full list with 580 entries:
The following list of most frequent domain address mistypes associated with ridinghouse.co.uk contains at least 1200 entries: